“DEVELOPMENT OF FOLK CRAFTSMANSHIP”

Authors

  • Rustamova Gulnoza Sirdarya district Vocational school

Keywords:

Culture, tradition, kirpech, darpech, suzana, zardevor, sheet, chorsi, sandalpech.

Abstract

The article discusses the ways in which the staples, lace, knit, printing, and knitwear are used to sew embroidery items such as suzane, sheets, chorsi, sandalpech, handkerchiefs, and towels, which are common in the lives of the people of the Fergana Valley. According to the tradition, women and girls from a young age are taught how to embroider different types of embroidery, depending on their worldview, mental, social, economic and artistic aesthetic taste. Uzbek, Tajik and Uygur embroideries were similar and used of traditional embroidery ethnic characteristics found by the archaeologists studied on the basis of some of the things grounded.

References

Gavrilov MF Ornament of the Kyrgyz Susamer. Tashkent, 1929. eleven.

Popova, O.S. Russian folk art. Works from the collections of the Museum of Folk Art. -M.: "Light Industry", 1972. - S. 96-97.

Pisarchik A. K. Folk applied art of the Tajiks. Dushanbe, 1987.

Simakov N. E. Art of Central Asia. A collection of ornaments and patterns, taken from nature on the monuments of arch. and objects of pottery, weaving, jewelry, etc. in 1879. St. Petersburg., 1883.

Anitipina K. I. Features of material culture and applied art of the southern Kyrgyz. -Frunze, 1962.- S. 13.

Gul E. Zhoynamozdagi ramzlar. San'at, 2001.-B. 13-16.

Tursunaliev K. Catalog of embroideries of Uzbekistan of the XIX-XX centuries. - T .: "Fan." 1976. - S. 12.

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Published

2023-03-15

Issue

Section

Articles